Izvestiya of Saratov University.
ISSN 1817-7115 (Print)
ISSN 2541-898X (Online)


Literary criticism

MEMOIR-AUTOBIOGRAPHIC GENRES: TO THE PROBLEM OF BORDERS

The article deals with the problems of establishing boundaries between the genres of memoir and autobiographical prose, their genealogy and dominant attributes are suggested. The specific character of the memoir and autobiographical styles is analyzed.

 

Images of Karamzin and the Decembrists in the Bard Poetry

The images of N.M. Karamzin and Decembrists emerge, starting from the late 1960s up to the early 1990-s, in the context of the meditation over the problems of history in the songs and poems of the bards: A.Galitsh, A.Gorodnitskiy, V.Dolina, M.Scherbakov.

I. Annensky on the Style of A.F. Pisemsky and A.N. Ostrovsky

Among the poets and writers of the Silver Age the article singles out Yu.Aikhenvald and I.Annensky, drawing attention to their articles on A.F.Pisemsky, one of the most controversial authors of the midXIX-the century. Both critics concentrated on the characters’ speech in Pisemsky’s works finding it his most specific trait as an author, and both offered deep insights in Pisemsky’s world and further vistas for its analysis. Following into their steps, the article contains some new observations on Pisemsky’s style.

Receptive «Aesthetics of History» of D.S. Merezhkovsky

The article analyses the principles of literary-historical cognition in the literary heritage of D.S. Merezhkovsky which so far haven’t been studied enough. These principles include «aesthetic appeal to epistemology», textual approach to history, method of «analytical reading» of the «Books of History», etc. The article reflects on the genre characteristics of the historiophilosophic novel by D.S.

Poetics of Titles in V.V. Nabokov-Sirin

The article deals with semantics and inner typology of NabokovSirin’s titles, treated as ‘opening words’ of respective poetic and prosaic texts, in order to penetrate the writer’s way of thinking and describe his specific language culture. 

V. Nabokov and M. Aldanov: the Dialogue on Chance in History

The article compares the aesthetic views of V. Nabokov and M. Aldanov on the role of contingency in history, in human’s fate, in creative process. Their articles, short stories and novels «King, Queen, Knave», «The Gift» by Nabokov, «The Cave» and «Sources» by Aldanov, Aldanov’s philosophical «The Ulm Night» make up the materials for the research.

Category of Space in Andrey Platonov’s Artistic World and its Existential Essence

The article analyzes the category of space in Andrey Platonov’s world as multilevel phenomenon. It describes philosophical characteristics of every space level, reveals the significant connections with the category of time, and offers the interpretation of the existential meaning of these categories. 

Formation of Fiction-Writing Principles in B.L. Pasternak’s Epistolary

The article contributes to the study of B.L. Pasternak’s personal and creative identity as depending on the circumstances of his epoch. The object of study is formed by Pasternak’s reflections on the principles of creating fiction found in his epistolary heritage of the 1910-s – 1960-s. 

Marginal Genres in the Contemporary Russian Literature

The contemporary Russian literature is a complex mixture of separate sub-literatures, each having its own authors and its own devoted readers. We witness ubiquitous presence of readers’ ‘deceived expectations’ device, as regards traditional ideas of genres and forms. The marginal genres often appear on the borderline between literature and journalism. Among the productive models are TVconfession; print media genre of women review; specific combinations of these two.

Facets of the Critic’s Speech Identity (Publications of R.V. Ivanov-Razumnik in Zavety magazine)

The article examines the genres of “little folk-tale”, fable, anecdote, as the most characteristic semantic-stylistic forms of the ironic statement used by R.V. lvanov-Razumnik п his open аnd indirect polemical writings in the pages of Zavety magazine (1912—1914), aiming аt elucidating the speech identity о! the critic. 

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