Izvestiya of Saratov University.
ISSN 1817-7115 (Print)
ISSN 2541-898X (Online)


Literary criticism

V. Nabokov and M. Aldanov: the Dialogue on Chance in History

The article compares the aesthetic views of V. Nabokov and M. Aldanov on the role of contingency in history, in human’s fate, in creative process. Their articles, short stories and novels «King, Queen, Knave», «The Gift» by Nabokov, «The Cave» and «Sources» by Aldanov, Aldanov’s philosophical «The Ulm Night» make up the materials for the research.

Category of Space in Andrey Platonov’s Artistic World and its Existential Essence

The article analyzes the category of space in Andrey Platonov’s world as multilevel phenomenon. It describes philosophical characteristics of every space level, reveals the significant connections with the category of time, and offers the interpretation of the existential meaning of these categories. 

Formation of Fiction-Writing Principles in B.L. Pasternak’s Epistolary

The article contributes to the study of B.L. Pasternak’s personal and creative identity as depending on the circumstances of his epoch. The object of study is formed by Pasternak’s reflections on the principles of creating fiction found in his epistolary heritage of the 1910-s – 1960-s. 

Marginal Genres in the Contemporary Russian Literature

The contemporary Russian literature is a complex mixture of separate sub-literatures, each having its own authors and its own devoted readers. We witness ubiquitous presence of readers’ ‘deceived expectations’ device, as regards traditional ideas of genres and forms. The marginal genres often appear on the borderline between literature and journalism. Among the productive models are TVconfession; print media genre of women review; specific combinations of these two.

Facets of the Critic’s Speech Identity (Publications of R.V. Ivanov-Razumnik in Zavety magazine)

The article examines the genres of “little folk-tale”, fable, anecdote, as the most characteristic semantic-stylistic forms of the ironic statement used by R.V. lvanov-Razumnik п his open аnd indirect polemical writings in the pages of Zavety magazine (1912—1914), aiming аt elucidating the speech identity о! the critic. 

Discourse Going Into Glamour: Language in V.Pelevin’s Empire V

The latest novel by V. Pelevin is looked into а$ а text centered оп е language, as demonstrated by examination of plot, motive structure, key metaphors and style of the novel. The parallels are suggested between Pelevin's idea of the place аnd function of the language аnd the twentieth-century language philosophy, as well as post-structuralist language concepts. 

The works of М.Е. Saltykov-Shchedrin in magazine obituaries (preliminary notes)

The article substantiates the necessity оn addressing obituaries and asserts the importance of obituaries, memoirs and biographical publications that consolidated people of different esthetic and literary critical persuasions around the пате of М. Е. Saltykov-Shchedrin. 

Memoir element in “Mémoires d’outre-tombe” by F.-R. de Chateaubriand

The article is devoted to memoir part оf «Mémoires d'outre-tombe» by Chateaubriand from the point оn view of writer's self-appraisal and his creative method. We examine historical context used in the book, principles of making public figures аnd literary men's portraits, correlation between е conception of author's «selfs аnd гергеsenting period. Memoir layer reflects the epical originality of е book and becomes the expression о’ the typical romantic idea about person. 

Английская путевая проза и «Письма из Исландии» Одена и Макниса

The articie contains а survey of the tradition of travel narratives in English literature from the ХVI century аn well аn of the current critical concepts of the genre of travels. It offers а perspective оп the state of the genre in the English literature of the 1930-s аnd analyzes W.H. Auden and Louis McNiece's «Letters from lceland» (1937) аs а representative text of е period. This travel book happens to be centered around Auden's major poem of the thirties — «А Letter Lordto Вугоn», hence the analysis is focused оn this poem.,

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