The article is devoted to the analysis of the image of the city in the "Prague" collection of the outstanding German-speaking poet R.M. Rilke "Victims of Laram". The analysis of individual methods of creating an image (cyclization, invocation of Roman mythology, personification, etc.) and analysis of its individual components make it possible to draw a conclusion about the complex multilevel structure of the image of Prague, its leading role in composition and the image structure of the entire collection.