Izvestiya of Saratov University.
ISSN 1817-7115 (Print)
ISSN 2541-898X (Online)


Literary criticism

On the Risk Zones in Interdisciplinary Research

The article deals with the problematic marginal zones of philological research. Risk zones related to the object, research methods, and terminology of interdisciplinary paradigm of humanities are shown.

Romance Tradition in Bulat Okudzhava’s Poetry: Poetics of «Vanka Morozov»

The poetic song of Bulat Okudzhava «Vanka Morozov» is regarded as an early manifestation of the poet’s self-determination in the context of the romance tradition. Juxtapositions with the genre thought to be the source of the poem (urban romance), with the parody and stylization of romance in the literature of the XXth century are given. The genesis of the key images and motives is traced. A new interpretation of the romance poetics transformation in Okudzhava’s poetry is offered.

Poetics of Rewriting in Thomas de Quincey’s Novel «Confessions of the English Opium-Eater»

This article proposes a new approach to the poetics of Thomas de Quincey’s «Confessions of the English Opium-Eater» through trace notion coined by Jacque Derrida. Confessional self-understanding in the novel is asserted in rewriting (rereading) of traces in the personal palimpsest of fate.

Две модели галантности в «Мемуарах» Бюсси-Рабютена

В статье рассматривается отражение специфического для французской культуры XVII в. феномена галантности в «Мемуарах» Бюсси-Рабютена, одного из блестящих представителей этой эпохи.

«Foolish for Myth’s Sake»: to the Problem of Personal and Creative Strategy of V. V. Rozanov

In the article the concept of «foolishness for Christ’s sake» is analyzed in the light of socio-cultural tendencies of the beginning of the XXth century. The legitimacy of regarding V. V. Rozanov as one the «foolish» of his time is established. The fact is that Rozanov’s «foolishness» was defined by a behavioural stereotype of the beginning of the XXth century culture according to which he «was creating» a personal myth.

The Poet’s Roses: the Poem of Bulat Okudzhava «I don’t Want to Write…» in the Context of Classical Tradition

Okudzhava’s poem is regarded in the context of the classical poetics of rose, in the background of the traditional situation «farewell to the lira». The parallels with Pushkin’s, Batyushkov’s, Boratynsky’s and Khodasevich’s poetry are drawn.

A. N. Radischev’s Personality and Creative Work in A. P. Skaftymov’s Perception

A. P. Skaftymov’s article «On the style of “The Journey from St. Petersburg to Moscow” by A. N. Radischev» is regarded as one of the most significant works about the book of this author. The methodological basis of the research and the specific character of A. P. Skaftymov’s attitude to the formal method in literary criticism are observed. The conclusions are drawn on how up-to-date the ideas of the scientist are for contemporary science.

 

A. P. Skaftymov’s Letters to N. M. Chernyshevskaya of the 1920-1940s (on the Materials of the N. G. Chernyshevskiy Museum).

The article views the letters of A. P. Skaftymov to N. M. Chernyshevskaya of the 1920-1940s from the N. G. Chernyshevskiy museum stock. Different connections of the two scientists are covered, the details of A. P. Skaftymov’s studying the life and creative works of N. G. Chernyshevskiy, his participation in the activities of the museum, that in those years was a certain center of developing and promoting the writer’s literary heritage. 

A. P. Skaftymov’s Letters to P. N. Sakulin

In this article five letters (dated1924-1929) of A. P. Skaftymov to the literary critic and academicianP.N.Sakulin are published for the first time.

А. P. Skaftymov and Yu. G. Oksman: the Antinomy of Characters

The article offers the contrastive comparison of two figures of humanitarian culture unique in their scientific methods and especially in their personalities and characters. The author relies on the correspondence materials of the two scientists and on a wide circle of sources published in recent years.

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