In the article the correlation of the private and the public in the French court society of the second half of the XVIIth century is considered; the changes in the share of the themes touching upon private life are traced; the means of its depiction are analyzed.
This article considers the peculiarities of V. Khlebnikov’s short stories, revealed on the example of his story «Highlanders» in the context of his historical and philosophical views and successive connections with the Russian classical literature.
The article deals with the problem of social risks related to the status of a noblewoman in French society in the second half of the 17th century on the material of the memoirs by Hortense and Marie Mancini; writing memoirs is regarded as a means of decreasing these risks.
The article deals with the problematic marginal zones of philological research. Risk zones related to the object, research methods, and terminology of interdisciplinary paradigm of humanities are shown.
The poetic song of Bulat Okudzhava «Vanka Morozov» is regarded as an early manifestation of the poet’s self-determination in the context of the romance tradition. Juxtapositions with the genre thought to be the source of the poem (urban romance), with the parody and stylization of romance in the literature of the XXth century are given. The genesis of the key images and motives is traced. A new interpretation of the romance poetics transformation in Okudzhava’s poetry is offered.
This article proposes a new approach to the poetics of Thomas de Quincey’s «Confessions of the English Opium-Eater» through trace notion coined by Jacque Derrida. Confessional self-understanding in the novel is asserted in rewriting (rereading) of traces in the personal palimpsest of fate.
В статье рассматривается отражение специфического для французской культуры XVII в. феномена галантности в «Мемуарах» Бюсси-Рабютена, одного из блестящих представителей этой эпохи.
In the article the concept of «foolishness for Christ’s sake» is analyzed in the light of socio-cultural tendencies of the beginning of the XXth century. The legitimacy of regarding V. V. Rozanov as one the «foolish» of his time is established. The fact is that Rozanov’s «foolishness» was defined by a behavioural stereotype of the beginning of the XXth century culture according to which he «was creating» a personal myth.
Okudzhava’s poem is regarded in the context of the classical poetics of rose, in the background of the traditional situation «farewell to the lira». The parallels with Pushkin’s, Batyushkov’s, Boratynsky’s and Khodasevich’s poetry are drawn.
A. P. Skaftymov’s article «On the style of “The Journey from St. Petersburg to Moscow” by A. N. Radischev» is regarded as one of the most significant works about the book of this author. The methodological basis of the research and the specific character of A. P. Skaftymov’s attitude to the formal method in literary criticism are observed. The conclusions are drawn on how up-to-date the ideas of the scientist are for contemporary science.
