Izvestiya of Saratov University.
ISSN 1817-7115 (Print)
ISSN 2541-898X (Online)


Linguistics

Semantics of ‘State vs. Action’ in the Content of Perception Verbs

The article deals with the analysis of the meaning of the perception verbs. Their consistency is determined by the contraposition of the semantics of state and action ( see/look, hear/listen) in their content. The opposition of these meanings reflects the duality of the language perceptions of human psychology: the contraposition of an ‘inner’ person to an ‘outward’ one. Inner unobservable perceptive processes (states) are opposed to observable pictorial processes (actions).

Roman Dialectisms’ Destiny in the French Language of France and French-speaking America

The peculiarity of territorial variants of French in France and the world is the existence of special sets of dialectisms that have penetrated from Romance dialects which were spoken in the territory of France. The history of these dialects was not the same in different areas, still the dialects have vastly contributed to the fact that the variants of French around the world are either similar or different in terms of their cultural background and structure.

Russian Metaphor in Diachrony: Major Trends in the Development of Transfers in the Object Sphere

In the article major tendencies in the development of the Russian object metaphorical subsystem are elicited; semantic and cognitive description of the main metaphoric models in diachrony is presented.

The Principles of Adapting Spoken Informal Discourse into the Written One: Working with the Semantically Devoid Elements

The article focuses on the question of working with the semantically devoid elements when adapting spoken discourse into written. The author distinguishes functions with which semantically devoid elements can be endowed in the spoken variant of the memories under research, as well as the reasons of their being preserved in the written text or their elimination in processing. Possible principles were revealed by which an editor is guided upon an encounter with every case of author’s usage of semantically devoid elements.

MAGIC REALISM AS A METHOD OF IMPLEMENTATION OF LATIN AMERICAN CONCEPTUAL METAPHORIC CODE

Magical realism is the original direction of Latin American literature of the 20th century, which has a peculiar conceptual system. In the works of magical realism, in an organic combination of elements of reality with fantastic and mythological motifs, the "miraculous" reality of the continent is reflected. In an effort to identify and establish the identity of the culture of Latin America, writers consciously select and modify the folk-mythological Indian and Negro substrate.

VOCAL INTERROGATIONS IN THE GREEK GLANGAL GLOBALIZATION

The article presents and systematizes materials that were previously only casually touched upon in studies on ancient Greek verbal vocalism. Analyzing the material, the author comes to the conclusion that the alternations being the object of the study do not have synchronous phonetic conditioning and can be referred to the sphere of morphology.

Perceptive and Semantic Keynotes in the Formation of Artistic Style

The article considers the influence of the forms of the psychological phenomenon of perception on writers’ aesthetic systems. Visual and audio types of perception are reflected in fiction in the most consistent and systemic manner. Different authors exhibit variations in their correlation: either the visual or the acoustic type prevails.

«No Answer» as an Indicator of the Word Acquisition Degree in Associative Fields

The article studies the interdependence between «no answers» and the process of lexicon formation during school age, based on associative dictionary data.

Major Means of Expressing Positive Aesthetic Evaluation in «Le Roman de la Rose» by G. de Lorris and J. de Meung

The article considers linguistic means of positive aesthetic evaluation in the medieval allegorical French poem «Le Roman de la Rose». A range of linguistic contexts containing evaluative components are studied, specific axiological means and principles of contributing to the lexis of aesthetic evaluation are analyzed.

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