The article presents the interrelation and coordination of different word-formation types within the boundaries of one word-formation category. The study of such word-formation structures reveals their lexico-semantic potential and factors directing the formation and development of lexical meanings of derived words.
In the article the distinct characteristics of poetic dialogue are highlighted, such as its being synsemantic, its being addressed, etc; such types of dialogue are defined as intratextual and extratextual.
This article gives the Russian-language reflexives classification. Types of non-comic reflexives in the creative heritage of the first wave emigrant writers are found out.
The article considers the specificity of the use of linguistic resources with spatial semantics in everyday communication and scientific speech (to form and render speculative concepts); the socalled types of spaces are put forward as the instrumental subject of research.
The article studies the issue of English loan words in the Russian and Spanish languages in information society. The article analyzes the tendencies of the borrowing process and deals with rational and irrational use of loan words in Russian and Spanish journalistic texts.
The mechanism of gossip development being a plot-formative factor of a work of art is discussed in this article. Key language features of this genre implementation and verbal tactics are considered.
The article is focused on the conceptualization of Greek loan-words from the Orthodox discourse in literature. On the material of prose by I. Shmelyov we have analyzed the structure of the concept icon. It is possible to distinguish objective-notional, imagery-symbolic, and evaluative levels of the concept. Their distinctive features are shown to be determined by cultural and religious traditions and also explained by narrative characteristics of the works.
The article deals with the question of the methods used in the study of artistic concepts. The complexity of this problem is due to the ambiguity of the nature of the artistic concept and the associated entities - the artistic text, the artistic picture of the world.
The article deals with the correlation of the concepts "language picture of the world", "world picture" and "conceptual picture of the world". The possibilities of reflecting the linguistic picture of the world at various language levels are shown. The national-cultural specificity of phraseological units in different languages is analyzed.
In the article on the material of the colloquial version of the language of football, two features of the German mentality are investigated - the prevalence of negative appraisal and the audibility of the perception of intense action.
