Izvestiya of Saratov University.
ISSN 1817-7115 (Print)
ISSN 2541-898X (Online)


Literary criticism

Lu Xun in Russia

The article examines historically determined approaches to the study of the oeuvre of the Chinese writer Lu Xun in the Soviet literary criticism in the 20–70s of the ХХth century, identifies the causes of interest in his heritage, analyzes the main achievements of the Russian Lu Xun studies, and provides a comparison with similar works by Chinese scientists.

Sternian Code in the Concept of Peter III Image by Viktor Sosnora

The article analyzes the original concept of the Peter III personality in the essay by V. Sosnora «The Rescuer of the Country». Reminiscences from L. Stern novels, mainly from «The Life and Opinions of Tristram Shandy», create an interpretation code that corelates controversially with the established historic mythology based on memoire sources.

Everyday Life and Existence in the Plays by Anton Chekhov and Leonid Andreyev («Uncle Vanya» – «Professor Storizyn»)

The linkages between two levels of Chekhov’s and Andreyev’s plays – everyday life and existence – are considered in the article. Such aspects of main characters’ life as the existential tragedy of being, the state of alienation, loneliness, ambivalence, untrue existence, breakthrough to the beauty and divine grace are analyzed.

«A Message to Women» as a Manifesto of N. M. Karamzin’s Views on Women’s Studies

In the article a program poem by N. M. Karamzin, «A Message to Women» is analyzed. This poem reveals the views of the writer on different perspectives of the ‘woman question’ and represents a typology of female images traditional for the Russian poetry of the XVIII century.

Rhetoric Roots of A. I. Solzhenistyn’s Novel «The First Circle»

The article analyzes the rhetoric roots of A. I. Solzhenitsyn’s novel «The First Circle». It is proved that the rhetoric nature of the novel as a genre – as described by M. M. Bakhtin and Yu. M. Lotman – is characteristic for Solzhenitsyn’s novel. Research of the rhetoric «sources» of the novel together with other roots of large epic genres in Solzhenitsyn’s oeuvre is an important route to the comprehension of both the nature of the writer’s artistic method and the genre of the Russian novel of the XXth century in general.

Motive of the Steadfast Gaze in N. V. Gogol’s Petersburg Stories

In the article Petersburg stories are analyzed in terms of the motive of the steadfast gaze. The process of visual «completion» of reality by Gogol’s characters is described.

Eugene Onegin in the Texts of Eugeniya Tour

The article raises the question of the impact of Pushkin’s works on the Russian women writers of the XIXth century. It shows the way of development of Pushkin’s artistic experience in the creativity of Eugeniya Tour. The woman-writer developed Pushkin’s images of a «dreamer» and a «superfluous man» in her own way. Her interpretation was determined by the new historic conditions and gender factors as well.

The Problem of A. S. Pushkin’s Autobiographical Meaning and the Principle of «External» Biography Elimination in S. L. Frank’s Works

The article considers an important problem of the meaning of biographical facts in artistic texts of A. S. Pushkin from the point of view of different ways of its solution. A singular way of tackling the problem offered by S. L. Frank is specified.

K. Vaginov’s Petersburg Text

The article studies the problem of Petersburg text of the Russian literature in the literary works by Konstantin Vaginov, its correspondence to the classical Petersburg text of A. Pushkin, F. Dostoevsky, N. Gogol.

Mythologization of the Soviet Intelligentsia in the Short Stories by Tatyana Tolstaya

The article reveals the problem of creating the image of the author in the stories by T. Tolstaya by means of comparing it to the images of the intellectuals of the Stagnation Era, the main characters of the book of stories «Okkervil River». With the help of such techniques as fabulousness, citation and internal spiritual belonging to the intelligentsia author creates a mythology of the Soviet intelligentsia. The main feature of this mythology is decadent humility and desacralization.

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