метафора

The paper examines a complex of figurative meanings of the entomonym “abelha” (“bee”), manifested in the space of the Portuguese poetic text of the 19th–20th centuries. The purpose of the work is to trace the transformation of the image and its semantic increments. We used methods of contextual, stylistic, semantic analysis and linguistic and cultural commentary. The material includes poems by Almeida Garret, Guerra Junqueiro, Antonio Nobre, Fernando Pessoa, Sofi a de Mello, José Saramago, Fernando Echevarría, etc.

The article is dedicated to the analysis of the metaphoric subsystem of Web slang. Major lexical groups, used as the source of figurative slang meanings formation, are determined; they are juxtaposed with general language tendencies; the system of the metaphor sources as a reflection of the idiosyncratic world picture of the users of this idiom has been viewed.

The article dwells on the English language mixed martial arts (MMA) discourse which is interpreted as a variety of sports martial and interactive discourses. The main concepts that represent the entertaining aspect of MMA discourse are singled out. Among them are the following notions: “game”, “fun”, “entertainment”, “show”, “performance”, “pleasure”, etc. All of them have direct lexical representation and correspond with the relevant lexical units. At the same time, they can be indicated through synonymous words and phrases.

Okudzhava’s poem is regarded in the context of the classical poetics of rose, in the background of the traditional situation «farewell to the lira». The parallels with Pushkin’s, Batyushkov’s, Boratynsky’s and Khodasevich’s poetry are drawn.

In the article Blok’s tradition is revealed in the image of the Beautiful Lady in Bulat Okudzhava’s poetry (an early poem by Okudzhava “You’re Not Drunkards, You’re Not Vagrants…” is taken as an example). Kipling’s motives in the poem also add to the recognition of Blok’s tradition.

The article deals with the metaphor of traditional professions in the aspect of its functioning and frequency of usage in modern communication.

The article focuses on Nabokov’s understanding Proust’s, Tolstoy’s and Chekhov’s metaphors as a way of passing from an objective to the subjective reality. The analogies with Nabokov’s perception of reality expressed in his art are drawn.

The article deals with the concept of slang, its functioning in modern Russian, which is being examined on the material of metaphors based on the lexis of financial and economic spheres. The metaphoric models are also presented, as well as the target areas typical to the semantic fields under consideration.