The article attempts to consider how the Russian philosophical lyrics, copiously quoted in the pages of the newly-found diary of S.L. Frank, reflects the "history of the soul" of the young philosopher, reveals the innermost depths of the "spiritual life" of his author.
The contradictions of the term ‘method of dialectic materialism’ are shown. The information about the most important discussions in the sphere of the method of literary criticism is provided.
The article describes an attempt to study the peculiarities of color in the work of the Kabardian poet Zuber Thagazitov for the first time. The author reveals the national specific features of color symbolism and the interdependence of historic and artistic reflection of the national reality in the context of the «greater time».
The article reveals external and internal factors contributing to the formation of an integrating context of the third book of Shipovnik Publishing House Literary-Artistic Almanac (1908): the design of the book and composition are being examined, the motives of the almanac’s texts are analyzed.
A viewpoint is presented that Chekhov’s comedy may be considered as a polyphonic (in the musicological understanding of the term) reunion of melodic voices of different characters with whom the voice (self-awareness, behavior, squeamish and sneering attitude to other people) of the young footman Yasha is conspicuously and ominously discordant.
The article researches the problems and the poetics of the play by V. Katayev «A Million Pangs»: devices of creating satirical images are regarded; the problem of a literary dialogue of the author with his contemporaries (M. Bulgakov, N. Erdman, I. Ilf and E. Petrov) is revealed; the peculiarity of Katayev’s satire on pre-revolutionary intelligentsia is identified.
The article analyzes the ideas in A. I. Solzhenitsyn’s short story «The New Generation», the peculiarities of the conflict of tradition and innovation in post-revolutionary Russia (1920–1930s) and its relevance for modern Russia.
The article analyzes genre peculiarity of the Vice-King vaudeville – one of the first experiments in drama by I. Ilf and Ye. Petrov. The interaction of artistic means characteristic of the vaudeville genre and satirical comedy is considered; the focuses of dramaturgic action and the vector direction of the traditional vaudeville form update are identified.
In the article Saint Petersburg’s cultural life is represented on the example of theater, cinema and home salons functioning in the period of the «shaking revolution», the history of which is recreated in detail in the Red Wheel by A. I. Solzhenitsyn.
The article reveals problematic and thematic correlation and associative links that appear on the motif level between B. Okudzhava’s prose and poetry within the framework of the Decembrist problem range.
