интерпретация

The article is an analysis of several interpretations of one of the key poems in Mandelstam's poetry of the 1920s, "For Some the Winter Means Arak and Blue-Eyed Sparkling Punches..." (1922). The purpose of the author is to identify and analyze the most problematic issues of this lyrical text and its interpretations in the scientific literature. The lyrical plot is based on the clash of different life positions of the conspirators and the protagonist. The logical and syntactic structure of the poem is intricately connected with the figurative structure.

The article discusses the features of the reader’s interpretation of poetic texts by I. Annensky and N. Gumilev, the authors of which belong to different types of cognitive styles. The concept of cognitive style arose in psychology, but as a result of the term being transferred into the fi eld of cognitive poetics, it became necessary to describe its parameters in order to use it in the analysis of the poetic text.

Over the course of more than fifty years, thirteen of M. Bulgakov’s works have been adapted for the screen: The Master and Margarita, Heart of a Dog, Flight, The White Guard, Days of the Turbins, The Fatal Eggs, Morphine, A Young Doctor’s Notebook, The Red Crown, Ivan Vasilievich, A Theatrical Novel, The Crimson Island, and The Last Days. The novel The Master and Margarita holds the record for the most screen adaptations in cinema: twelve films.

The paper examines a complex of figurative meanings of the entomonym “abelha” (“bee”), manifested in the space of the Portuguese poetic text of the 19th–20th centuries. The purpose of the work is to trace the transformation of the image and its semantic increments. We used methods of contextual, stylistic, semantic analysis and linguistic and cultural commentary. The material includes poems by Almeida Garret, Guerra Junqueiro, Antonio Nobre, Fernando Pessoa, Sofi a de Mello, José Saramago, Fernando Echevarría, etc.

Based on the material of biographical studies about E. A. Boratynsky in the literary criticism of the ХХth century the researcher examines the process of the poet’s personality mythologizing, the problem of formation and development of the myth about Boratynsky; the most common characteristics of the emerging biographical myth of the poet are identified.

The article focuses on different approaches to categorization and deals with the study of cognitive aspects of modus (interpretative) category of tonality as a means of expressing the speaker’s subjective attitude to the facts of the objective reality. The complicated structure and methods of realization of tonality are shown on the example of journalistic discourse of the English language.

The article analyzes the figurative structure of a poem by A. A. Fet «Obrochnik» (collector of rent). It being considered and interpreted in the context of the Orthodox tradition gives us insights into the problem of «Fet and religion», reveals the life and poetry credo of the author.