концепт

The article deals with the lexicographic description of lexeme concepts window and окно in the mythopoetic view of the world exposed in the genre of folk ballad in the English and Russian languages. Using the methodology of thesaurus lexeme description and computational method of word processing, the lexical entries of the given concepts are provided along with the comparative analysis of the concepts reflected in the folk worldview of the two countries.

This article presents a comprehensive cognitive-oriented study of the concept ‘Pioneer’ in the linguistic picture of the world of the representatives of the Russian culture. The analysis of various lexicographic sources allowed the author to identify a generalized prototype of the concept and obligatory characteristics that reflect its value-based evaluative perception.

The article considers the representation of the concept persistence in the Russian language consciousness. On the basis of the associative experiment, the author describes the field organization of the concept persistence in accordance with the core and peripheries and models the structure of this concept by distributing cognitive characteristics among the sensitive-figurative, information and interpretative fields.

The article considers the existing approaches in linguistics to the study of the concept verbalization in a literary text; a comprehensive approach is applied to the study of the concept ‘misery’ in the eponymous novel by Stephen King, which allows us to determine the contribution of linguaculture, genre and ideostyle of the author to this process. The hypothesis is put forward about the meaningfulness of Christian connotations of the concept ‘misery’ in King’s text.

The article deals with the description of the specifi c features of attributive constructions (epithet complexes) in M. Tsvetaeva’s texts. The Collected Works of the poet, as well as the Dictionary of Poetic Language served as the material for this research. The purpose of the research was to establish the structural and semantic idiostyle features of constructions containing words of attributive semantics in the poet’s texts. The research establishes that in the M.