письмо

The article attempts to consider the originality of the style of the modern Dagestani novelist Gazimagomed Galbatsov on the material of the epistolary genre: in “Letters to the next world” to the classics of Avar literature of the second half of the 19th – early 20th centuries and “To himself”, reflecting the creative quest of the author. The structural and comparative research methods, as well as the method of intertextual analysis of the text, make it possible to identify the elements of the author’s pastiche of the literary style of the addressees.

The article analyzes Z. N. Gippius’s correspondence with the secretary of the St. Petersburg Religious and Philosophical Society S. P. Kablukov. The material for the article contains Z. N. Gippius’s letters of 1909, received by Kablukov and rewritten by him in a diary. Since the folder with Z. N. Gippius’s letters was not preserved in the S. P. Kablukov’s archive, this documentary evidence is of apparent interest and allows us to get an idea of the nature of the correspondence between Gippius and the author of the diary. The subject range of Z. N. Gippius’s and S. P.

The article is dedicated to the analysis of the best books of a renowned French writer on the background of the birth of the last vivid literary trend in the French literature of the XXth century – the New Novel, one of the outstanding representatives of which was A. Robbe-Grillet. This article comprises historical and literary commentary and, where necessary, short analysis of the most significant features of the writer’s style.

The article studies genre strategy in «Daniel Stein, Interpreter» by L. Ulitskaya. The genre of the novel enables the author along with the third-person narrative to apply stylization of different forms of everyday life narration and records, to introduce the writer’s letters into fiction. Blurring the boundaries between fictional and factual principles in her work, L. Ulitskaya expands the range of reader’s interpretations.

The article substantiates the conclusion that the correspondence of the characters in Pasternak’s novel is a plot-motivated complex multilayered system of written communication based on the family idea, expanded by a system of inter-textual links.