The author analyzes the letters of A. T. Tvardovsky-editor from the point of view of his review of the factual basis of a work of fiction. The peculiarity of a literary fact, its image-bearing nature, requirements to it, factual mistakes pointed out by the editor, are regarded in the article.
The article is dedicated to one of the major poems of Octavio Paz – Piedra de Sol (1957). By interpreting the intertextual and mythological codes of the text, the author shows how elements of the Aztec culture enter in correlation with images and themes common to French poets from G. de Nerval to the Surrealists.
The article substantiates the conclusion that the correspondence of the characters in Pasternak’s novel is a plot-motivated complex multilayered system of written communication based on the family idea, expanded by a system of inter-textual links.
The article analyzes different functions of the short-sightedness motive in the autobiographical book by A. Remizov. The role of this motive in the writer’s philosophy is specially focused on.
The article analyzes the title poetics and the structure of the poetry book by K. D. Balmont Sonnets of Sun, Honey and Moon (1917) as a book of sonnets, a book of symbols, a ‘chamber’ book.
The author considers how Nicollo Machiavelli’s ideas influenced Cardinal de Retz as the hero and the creator of the Memoirs (published in 1717). The author reveals the discrepancy between the memoir-writer’s proclaimed anti-Machiavellianism and his adoption of the ideas of the treatise Sovereign (1532). This discrepancy manifests itself on the level of the judgments and evaluations of the narrator, figures of speech, concept of the autobiographic hero.
The article analyzes the forms of divine intercession as well as the means of their integration in the text of the military novels; the functions of divine intervention are indicated, both within and without the plot.
The motive of a person’s self-destruction is analyzed in the article on the material of V. Rasputin’s late short stories. These works show the signs of the anthropological crisis which is perceived by the writer not just as a threat of a distant future but as a danger hanging over humankind in the here and now.
The author studies Solzhenitsyn’s understanding of the ways and logic of the development of the Russian revolution expressed in the novel August 1914, the writer’s interpretation of its key stages and important episodes, and the principles of depicting the types of revolutionaries.
The article shows how the fates of Yu. G. Oksman and O. E. Mandelstam intercross, it also dwells on Oksman’s part in preparing the American version of the poet’s collected works. This topic is revealed in the context of the ХХth century history of national culture. Epistolary, memoir and biography sources are used widely. Oksman’s part in the process of reuniting different Russian literature branches is specially highlighted.
