биография

Based on the material of biographical studies about E. A. Boratynsky in the literary criticism of the ХХth century the researcher examines the process of the poet’s personality mythologizing, the problem of formation and development of the myth about Boratynsky; the most common characteristics of the emerging biographical myth of the poet are identified.

The article is dedicated to eliciting genre characteristics of E. Ludwig’s biography «Napoleon» through considering the features of its narrative structure.

The article is dedicated to the history of the biography genre and to its theoretical realization, as well as to the current theoretical issues of the genre.

The article is dedicated to the biography and the reception history of the works of the famous in the 1920-1930 german biographer E. Ludwig by the public and the critics.

The article offers an analysis of literary critics’ attitude towards Evelyn Waugh’s biography «Ronald Knox» as well as reasons for it being unsuccessful among its contemporaries.

This article explores the image of London in the works of London artist-visionaries – the subjects of Peter Ackroyd’s biographies. The goal is to trace the evolution of the city image in the course of the English literature development from XIV th to XXth centuries.

The article considers the techniques of translating a biographical text into the language of the cinema which have been used by the director A. Khrzhanovsky in the film A Room and a Half. Visual and textual quotes from the poet’s essays, interviews and poems have been analyzed, as well as the contemporaries’ reminiscences.

The article is devoted to an episode from the creative history of AA's memoirs. Feta, published and commented on a draft outline of the original plan of Fetov's memories. The study is based on handwritten sources, first introduced into scientific circulation.

A modern review of the life and work of NG is offered. Chernyshevsky with the involvement of little-studied materials.