герой

The purpose of this article is to consider the specific features of the artistic embodiment of the components of the author’s childhood world model in the story From the Little House by the writer of the first wave of the Russian émigré, M. A. Osorgin. The author-narrator appears as the central world-modeling category of the work. He remembers, reflects, describes himself as a child. The theme of memory stated in the story is the leading one for the autobiographical prose of the Russian émigré writers.

The article deals with the comparison of olfactory images in Patrick Suskind’s novel Perfume and Tayeb Salih’s The Season of Migration to the North in the communication context of Arab and European cultures. The initial theoretical point, based on the existing developments in the field of literary studies and cultural studies, is the idea of olfactory images as an essential component of the poetics of a work of art. The role played by olfactory images in revealing the characters of the two heroes Jean-Baptiste Grenouille and Mustafa Said is considered.

The article researches how Khlestakov’s image that has become a household name has impacted the oeuvre of the later play writers. The images of the so-called Khlestakov-like characters are considered in the works of Gogol himself, of Sukhovo-Kobylin, Saltykov-Shchedrin, Ostrovsky.

The article deals with the analysis of the author’s artistic and philosophical idea of the European situation of the 1930s and with the forms of its actualisation in the novel «The Beginning of the End».

The article first collected and systematized organically included in the artistic fabric of the Rolland dramatic epic antique images and comparisons that contributed to the reconstruction of the features of the historical color of the image of the French Revolution of 1789.

Based on myths, epic, romance and adventure literature, classical fantasy books often depicted their heroes as warriors physically fighting evil. Nowadays the British writer Joe Abercrombie, whose works belong to the so-called grimdarkfantasy, depicts wars questioning the value of violent heroic deeds and the concept of a ‘hero’ itself.

The article analyzes the book by B.K Zaitsev Chekhov (1954) as a novelized biography, a ‘life story’. The author’s concept and composition of the book, consisting of 15 chapters with titles, 54 subchapters / fragments, are given a special emphasis; the artistic meanings and originality of the narrative of a complete biography are considered.