фольклор

The 17-th century is the Time of trouble and the age of feeble-mindedness flourishing in Russia. Composing the first Russian historical novel M.N. Zagoskin could not help bringing the figure of Christian associate in the narration. The article shows ways of interpretation of some episodes with the «God’s fool» using Scriptural passages.

The article is devoted to the identification of originality of I. I. Kozlov’s battle lyrics in the context of poems on Napoleonic wars. Particular attention is paid to the image of warrior.

Post-Soviet dystopia’s construction of the future out of the national past is analyzed as culturally-conditioned complex reaction to utopian temporality of the method of Socialist realism and treatment of time in folklore.

In the article the image of an enemy in humorous rhymes dedicated to WWII is analyzed. The central theme is the image of Adolf Hitler. In the conclusions the enemy image is shown as an archaic one. The sphere of humorous rhymes existence is shown. The article is based on the archive materials from the expeditions to Tver region.

The article is dedicated to the identification of the specific character of variation of I. I. Kozlov’s romance Insane in its folklore form. The analysis was made mainly on the basis of archival materials.

The present article analyzes J.-B. Almeida Garrett’s work as an attempt to create a Portuguese national myth. The author points out that the writer, criticizing the present he lives in, tries to revive the past by the means of the country’s history and national folklore where he finds irreproachable examples to be followed.

The article regards how the fantastic constituent is revealed on the plot, composition, and image levels of the text of The Tale of Igor’s Campaign.

The article is dedicated to the analysis of T. M. Akimova’s works on the study of the songs of literary origin. The author acknowledges the methodological line in them, which can be traced to the founder of Saratov philological school A. P. Skaftymov.

The article considers the image of the sky as a key element of the verbal landscape of V. G. Korolenko’s Siberian cycle of stories and essays. Its main functional features defining plot and compositional integrity of the works, folk-mythological origins of components of the figurative system of landscape paintings and artistic potential of ‘celestial’ symbols are identified.

The article analyzes the similarity of the actions of the hero in the story “Knives” by V. P. Kataev and the character functions in Russian fairy tale. In order to establish the commonality of the story “Knives” and the Russian fairy tale, a comparison is made and the relationship between the actions of the hero of the story and the character functions in the fairy tale is determined by the monotony and compositional sequence.