художественный текст

The paper considers how the peculiarities of allusive anthroponymic concepts are realized on the material of short stories by an American writer O. Henry. Sixteen short stories are selected for analysis. The method of continuous sampling, of conceptual analysis and the descriptive method have been used in the research. It is revealed that an allusive anthroponymic concept can be represented in the form of a concept-representation, a concept-notion, a prototype, a model and a frame. Allusive anthroponymic concepts-gestalts have not been identified in the sample.

The text explication of the key and title concept of Pavel Nilin’s novel Cruelty is considered in the article. The place of this mental formation in the linguistic and cognitive picture of the world is very important, despite the differences in the approaches of different scientists to its understanding. Cruelty is equated with aggression and violence in most social sciences (psychology, philosophy, sociology).

The article gives a brief note on the origin of the semiotic trend in linguistic research. Theoretical prerequisites of the metasemiotic approach to the analysis of literary texts are specified. The author offers a possible paradigmatic concept of the metasemiotic analysis based on equivalent but different meanings, as well as on the antonymic oppositions on the material of a literary text.

The article attempts a comparison between the modular structure of aesthetic cognition and text’s morphological characteristics, their interpretation in the aspect of style formation. The constructive parameter of text expressed in grammar is taken to be the category of deixis, expressed linguistically and aesthetically. Elements of hierarchically organized deictic field can serve as tools in reconstruction of text’s meaning, as demonstrated by interpretation of «The Gift» by V. Nabokov