Гоголь

This paper is based on self-interpretation analysis of «Selected passages from correspondence with friends» by N. V. Gogol and shows that the dialectics of the religious and the aesthetic in the discourse of confession about oneself is associated with the author’s concept of «inner» person.

This article considers the peculiarities of V. Khlebnikov’s short stories, revealed on the example of his story «Highlanders» in the context of his historical and philosophical views and successive connections with the Russian classical literature.

The article studies the motif of waiting for game situation that often occurs in the story-line of the XIXth century Russian comedies, gives ground for its essential importance for the plot-building and creating the characters of the plays, points to the connection of this intertextual situation with the reality of the Russian society, its social, moral and psychological climate.

In the article Gogol’s «Evenings on a Farm Near Dikanka» and «Mirgorod» are studied in terms of the interaction and development of two motives – the motive of the bewitched place and the motive of strange transformations. From this point of view the cycles’ consecutive ideological correlation to «Arabesques» is also outlined.

The article studies inter-textual links of comediography of A. V. Sukhovo- Kobylin with N. V. Gogol’s literary legacy, the functions of Gogol’s allusions used by Sukhovo-Kobylin in the context of the formation of Russian realistic drama are being researched.

In the article Gogol’s image of the blacksmith Vakula is studied as one of the so-called «liminal beings», typical for the writer’s works. In the nature of such creatures there is a transition from the supernatural world into the real one, which allows them to act as mediators.

The article dwells on the artistic functions of hearsay and fame in the plot of N. V. Gogol’s novel Taras Bulba, on their internal link with the folklore tradition. The cultural and historic essence of Zaporozhye Rada is considered; the analogies with the text of the novel are drawn.

In the article different implementations of thoughts about Gogol in the novel The Raven written by O. Forsch are considered. The part of the chapter from The Raven excluded from the canonical text is analyzed as well. The issue is raised why this part did not appear in the final version of the novel.

In the article Petersburg stories are analyzed in terms of the motive of the steadfast gaze. The process of visual «completion» of reality by Gogol’s characters is described.

The article regards different occurrences of Germans and Germany in Gogol’s poem Dead Souls and, consequently, the author’s own perception of German mentality during the time when he was working on the poem.