автобиография

The article considers the theme of childhood and the specific features of its representation in the Mémoires d’outre-tombe by F. R. de Chateaubriand and Histoire de ma vie by Georges Sand. Childhood is seen as an integral structural element of the self-narrative, the artistic concept of which is formed in the context of the era and the existing literary tradition.

The article considers an important problem of the meaning of biographical facts in artistic texts of A. S. Pushkin from the point of view of different ways of its solution. A singular way of tackling the problem offered by S. L. Frank is specified.

The article deals with J. M. Coetzee’s Boyhood, focusing on the author’s experiments with the autobiography in the context of traditional genre conventions. Boyhood, the first part of Coetzee’s autobiographical trilogy, is analyzed as a deconstruction of the childhood autobiography (the absence of autobiographical agreement, third-person present tense narrative, a combination of multiple points of view: those of a child-protagonist and an adult author).

The article considers the text-forming irony as a way to express philosophical ideas, as a psychotherapeutic tool, allowing the author to work out his negative experience and as a means of meta-reflection on the text in ‘Les Mots’ by J.-P. Sartre.

The article deals with the theme of death in «Les mémoires d’outre-tombe» by F-R. de Chateaubriand in the light of his concept of life, religious beliefs and tradition of autobiographical narrative in French Romantic prose

This paper covers the analysis of Jewish identity in the works of the French writer Georges Perec. The author comes to the conclusion that this problem has a significant impact on the poetics of Pereс, it is presented in the techniques of formal constraints and the ‘aesthetics of absence’, the purpose of which is to reconstruct Perec’s memory and past by means of language play.