revolution

The article analyzes the ideas in A. I. Solzhenitsyn’s short story «The New Generation», the peculiarities of the conflict of tradition and innovation in post-revolutionary Russia (1920–1930s) and its relevance for modern Russia.

The article is dedicated to the analysis of the morbid metaphors employed in depicting social and political events of the Russian history of the XXth century on the material of literary and journalistic texts. Aesthetic and pragmatic functions of these metaphors are researched.

The article is dedicated to “Theatre de la Revolution” of R. Rolland – a cycle of plays about the French revolution of 1789, which is viewed in the aspect of the problem of the synthesis of the arts (in this case – the literary and musical arts). As a result of the analysis of «Theatre de la Revolution» poetics compared to the symphonic quality of Beethoven (who Rolland was guided by), the naturalness and the reasonableness of Rolland’s including the musical symphonic element in his dramaturgic cycle is proved.

The article first collected and systematized organically included in the artistic fabric of the Rolland dramatic epic antique images and comparisons that contributed to the reconstruction of the features of the historical color of the image of the French Revolution of 1789.