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The article considers self-referential items in the oeuvre of Gaston Leroux – the master of a popular novel – particularly on the example of the Rouletabille cycle. The author pays closer attention to the novel Rouletabille and the Tsar in which Leroux inserted the data from his earlier articles and sketches about Russia.

The article discusses the critical responses of N. Ya. Abramovich devoted to the work of the brightest representative of the Russian female poetry of the 19–20th centuries, M. A. Lokhvitskaya. Deep and extraordinary assessments of the critic seem to be a significant milestone in the comprehension of her lyrics, and play a significant role in determining the place of the poetess in the literary space of the era.

The study of the norms of modern scientifi c speech, as well as the factors aff ecting its eff ectiveness, is one of the urgent problems of linguoecology. Typical violations of the ecology of scientifi c speech are cases of violations of language norms and stylistic inaccuracies. They are most often found in the unprepared professional speech of young scientists (especially non-philologists).