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The article considers and compares two poems by A. S. Kushner with a common name – “Visit” (1977 and 1985). They are united by the situation of the lyrical hero returning to the places where he spent his childhood and youth. However, the author’s position is deprived of the nostalgic regret about the past years that is expected in such cases – in particular, due to the mismatch of memories with the real world of the past.

This article considers the peculiarities of V. Khlebnikov’s short stories, revealed on the example of his story «Highlanders» in the context of his historical and philosophical views and successive connections with the Russian classical literature.

The article considers the image of the sky as a key element of the verbal landscape of V. G. Korolenko’s Siberian cycle of stories and essays. Its main functional features defining plot and compositional integrity of the works, folk-mythological origins of components of the figurative system of landscape paintings and artistic potential of ‘celestial’ symbols are identified.

This article describes the creation of the image of the Volga in the early works of Skitalets (S. G. Petrov, 1869–1941). The artistic world of the writer is filled with natural images, which are drawn mainly in a romantic way. The landscapes of Skitalets are mostly bright and colorful, although there are accurate realistic sketches. Also, the Volga can play the role of a psychological ‘accompaniment’, and can become the ideal embodiment of the proper state of the world.

The article analyzes the work of the understudied writer of the 19th century, Korneliy Vladislavovich Thorzhevsky, in particular, the poetics of the author’s unique colorful sketches from military life, short stories, novellas, essays is considered on the example of the story The Non-Hunters on a Hunt. The aim of the research is to fi nd an answer to the question about the place of the writer K. V. Tkhorzhevsky in the literary process, about the peculiarities of his author’s style, the originality of the poetics of his artistic heritage.

The purpose of the article is to analyze the main functions of the landscape in the works of F. Kryukov. Nature in his narrative system acts as an independent object of portrayal and a toolkit for description, as the place of the character’s residence and the contemplated landscape, as an integral picture and a set of contrasting elements. The emphasis is placed on the narrative role of the landscape in the development of the author’s point of view, the structuring of the artistic space, and plot formation.