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The article studies the poetic cycle Autumn by B. Pasternak, which concludes his book of poems Themes and Variations (1916–1922). The imagery system of the cycle and its plot, reflecting the relationships between the lyrical hero and his beloved, are analyzed. The role of spiritual conflict generators as important cycle-formative elements is noted. The intertextual connections with the Bible and W. Shakespeare’s play Hamlet are highlighted.

The article is devoted to one of the difficult problems in the study of Mandelstam’s lyrics, namely the problem of distinguishing different versions and cyclic structures based on repetition and variations of poetic fragments. The author offers the criteria of distinction, analyzes several controversial cases, shows the importance of presenting different versions of text as a dynamic unity.

This article first novel Gaito Gazdanov regarded as a software product, and his final words appear eydologicheskoy install ation implemented in subsequent nove ls. Romantic creativity is analyzed in the context of the prose of the writer. The eidological complex “Dream of Claire” is transformed into the teleology of the author’s metaromaniac cycle.

The article proposes a new version of the cycle-forming organization of “Little Tragedies” by A. S. Pushkin, after a brief excursion through the already existing cycle-forming concepts of a group of scenes and plays united in Russian culture under the non-author’s general name “Little Tragedies”. The intra-textual situation of unexpected, spontaneous inspiration of the central characters of the plays included in the cycle is put forward as a binding compositional element.