литературная критика

Nowadays literary criticism on the Internet is actively developing, becoming an area of influence on the worldview of the modern reader. The article provides a comparative analysis of literary and critical publications on the Internet and in literary and art journals on poetic texts in the period from 2020 to 2023.

The article shows how and why the role and the portrait of modern Internet reader are being transformed.

Journal Zavety (Covenants) focused primarily on Russian classical literature. The article considers several points of view on the personality and legacy of Chekhov that the journal offered to its readers; similar and controversial aspects are distinguished; the outline of the edition programme attitude to the writer is traced.

The purpose of the article is to show how and by what means the Internet has influenced the correlation of the concepts ‘author’, ‘reader’, and ‘critic’ in the modern literary process.

A lot of research addresses A. N. Pypin’s life and oeuvre but the aspect of his biography is not given sufficient attention to. The sketch by B. B. Glinsky is one of such papers that has not yet excited any interest. Addressing the forgotten publication in the journal Istorichesky Vestnik (History Journal) allows not only to reconsider some facts and episodes of Pypin’s activity from a new perspective, but also to identify the peculiarities of his creative style, and highlight intrinsic genre criteria of a critical and biographical article.

The article presents the point of view of V. F. Savodnik – a leading literary reviewer of Russkiy vestnik (Russian Bulletin) in 1900-1901s – on the issue of the development of contemporary national poetry; it is explained why the reviewer’s opinions were unconventional for the members of the journal writers.

The article considers the attitudes of N. M. Sokolov and N. Ya. Stechkin – the leading critics of the journal Russkiy Vestnik in 1902–1906 – to the oeuvre of Leonid Andreev and to its place in the readers’ minds. The article shows to what extent the critical evaluations depended on the topics unfolded in the author’s works.

The literary critics of the second half of the 1990s who analyzed the evolution of the literary process can be split into two groups: traditionalists who stood up for the dominance of fiction in poetry and prose, and those who supported non-fiction.