The article explores the correlation between analytical and objective psychologism in Crébillon-son’s works by means of analyzing an oriental fairytale Tanzaï et Néadarné and a novel Les Égarements du cœur et de l’esprit as parts of a unified artistic system. A preference for a certain form of artistic psychologism is defined by two factors. Firstly, it depends on the variability of characters mastering the rules of social etiquette while maintaining the interest in movements of their own hearts.
В статье предлагается решение вопроса о соотношении аналитического и объективного психологизма в творчестве Кребийона-сына через рассмотрение восточной сказки «Шумовка, или Танзай и Неадарне» и романа «Заблуждения сердца и ума, или Мемуары г-на де Мелькура» как интратекста.
The article is a literary analysis of the categories of «in-text author» and «in-text reade» as active components of the literary text poetics on the material of Victor Pelevin’s prose works. One of the main goals of this research focused on the reader problem is to get closer to the understanding of the modern Russian writer’s author’s strategy.
