The second part of the article is dedicated to the analysis of the key motive and thematic complexes together determining the peculiarity of the ‘soviet’ reality as artistic unity, actualized in the works by A. I. Solzhenitsyn and V. P. Aksyonov (written and published at the turn of the XX–XXIst centuries). The phenomenon of fear is considered in the line of the ideological foundation of the ‘soviet’ system. The article also contains some general conclusions for the whole research – the key poetic elements associated with the ‘soviet’ phenomenon are defined in the oeuvre of both writers.