Izvestiya of Saratov University.
ISSN 1817-7115 (Print)
ISSN 2541-898X (Online)


sentimentalism

Women’s Poetry On the Pages of N. M. Karamzin’s Almanac Aonides

The article regards poems published in N. M. Karamzin’s Almanac
Aonides that were written by women: N. I. Starova (A. P. Svinyina),
A. M. Magnitskaya, E. P. Svinyina, E. V. Kheraskova, E. S. Yrusova.
Problem matter and poetics of these works are analyzed against the
background of historic, literary and cultural processes of the turn
of the XVIII–IXth centuries: the interaction of movements, genres,
formation of the authorship category, formation of a unique image of

A. N. Radischev’s Personality and Creative Work in A. P. Skaftymov’s Perception

A. P. Skaftymov’s article «On the style of “The Journey from St. Petersburg to Moscow” by A. N. Radischev» is regarded as one of the most significant works about the book of this author. The methodological basis of the research and the specific character of A. P. Skaftymov’s attitude to the formal method in literary criticism are observed. The conclusions are drawn on how up-to-date the ideas of the scientist are for contemporary science.

 

Poetics of the Representation of the Intimate in the French Novel of the 18th Century: Some Observations

The article examines the features of representing the ‘intimate’ in the French novel of the 18th century. The intimate is considered as a historical category characterized by ‘semantic ambiguity’, expanding and deepening its semantics in the course of the novel’s evolution. By means of analyzing representational texts it is proved that the representation of the intimate is predetermined by the distinctive nature of the genre and literary trends.

I. A. Kovanko’s Odes: Poetics in the Literary Context

The paper considers the peculiarities of I. A. Kovanko’s odes written at the end of the 18th century and the beginning of the 19th century. The reminiscences from G. R. Derzhavin’s and M. V. Lomonosov’s poetry are revealed. The article focuses on the influence of classicism and sentimentalism on Kovanko’s work and the synthesis of heterogeneous elements that trace back to the 18th century poets.