perspective

The article examines the genre phenomenon of supersaga in V. Khlebnikov’s oeuvre. According to the theoretical model of the genre proposed by N. L. Leiderman, the subject organization of an artistic text is identified as the most important component of the genre structure. A comparative analysis is conducted on the works Children of the Otter (1911–1913), The Lightning Sisters (1918–1921), and Zangezi (1920–1922). B. O. Korman’s system-subject method allows us to describe the supersaga as an intergeneric form gravitating toward drama. At the same time, V.

The article deals with the universal category of telicity/atelicity of verbal activity and with the classification of the French verbs of movement. The category of direction and the concept of perspective are the main semantic features indicating telicity/atelicity of a verb of movement.