образ

The article considers the influence of the forms of the psychological phenomenon of perception on writers’ aesthetic systems. Visual and audio types of perception are reflected in fiction in the most consistent and systemic manner. Different authors exhibit variations in their correlation: either the visual or the acoustic type prevails.

The article considers the image of Mashenka Turusina from the play by A. N. Ostrovsky Enough Stupidity in Every Wise Man. Analyzing textual behavior of the character, the author proves that the young foster daughter is not only ‘a home martyr’ but also a skillful manipulator who adjusts the environment to her own liking. This game makes her similar to the main character of the comedy – Glumov: he tries to make his way up by flattery and deception.

The article researches how Khlestakov’s image that has become a household name has impacted the oeuvre of the later play writers. The images of the so-called Khlestakov-like characters are considered in the works of Gogol himself, of Sukhovo-Kobylin, Saltykov-Shchedrin, Ostrovsky.

The article considers the image of I. N. Arkadina from the point of view of the acting phenomenon. An actress not only by her profession, but throughout her life, Arkadina constantly changes types, acts a part, does everything ostentatiously, which other «non-theatrical» characters behaving naturally put into even sharper relief.

The author examines discursive means of framing the judiciary system image that actualizes the activation strategy. The paper focuses on two variants of this strategy: positive and negative ones constructing a positive or a negative image of judicial power respectively.

‘Insulted and humiliated’ is one of F. M. Dostoyevsky’s recurrent themes. It remains up-to-date in the last period of his creative work related to Staraya Russa. This town became the prototype of Skotoprigonievsk from The Brothers Karamazov and the small town Afimievsk from the novel The Adolescent. In Dostoyevsky’s letters, in his wife’s memoires, in the reports of the writer’s friends from Staraya Russa there crop up the recollections of the citizens, who can be considered the prototypes of the ‘insulted and humiliated’ in these novels.

The article considers the specific character of Iran’s image being formed in the modern Russian media on the example of such newspapers as Argumenty i fakty (Arguments and Facts) and Izvestiya
(News). The author addresses the study of metaphorical patterns used in media texts, and concludes that the anthropomorphic and sociomorphic models are the most recurrent.

The article shows the results of a multicultural literary texts’ analysis aimed at revealing their linguistic and stylistic peculiarities. The emphasis is placed on the methods of applying such a linguistic notion as ‘image response’ as one of the units/means of a multicultural literary text analysis.

The article deals with linguostylistic peculiarities of a multicultural literary text. It is attempted to show that the meanings representing a precedent phenomenon are actualized in the notional and figurative forms in the reader’s mind, thus enriching the imagery of the virtual reality of the text. The emphasis is made on the aspects of the literary image formation and its role in conveying the ethnic flair in the context of intercultural interaction.

The Spanish King’s Christmas message is a traditional event of the social and political life in Spain, and it is one of the few occasions when the head of state directly addresses the nation. This annual address is structured according to strict traditions of classical rhetoric, it has its own language and composition features and has a symbolic and ritual nature. This article analyzes Felipe VI’s Christmas messages (from 2014 to 2018) and focuses on the constructed images of the Spanish monarch (addresser), the Spanish nation (addressee) and the country.