The article studies the reception of the Anglo-American writer Lafcadio Hearn in Russia. The author analyzes the literary influence of L. Hearn on K. Balmont and his individual mythology, reveals the connection with such Russian cultural figures as S. Eisenstein and P. Florensky. The essay “Living God” by L. Hearn is compared with its translation by K. Balmont. The use of color in works by L. Hearn is considered from the standpoint of Eisenstein’s sound and visual correspondences.
