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The article proposes a new version of the cycle-forming organization of “Little Tragedies” by A. S. Pushkin, after a brief excursion through the already existing cycle-forming concepts of a group of scenes and plays united in Russian culture under the non-author’s general name “Little Tragedies”. The intra-textual situation of unexpected, spontaneous inspiration of the central characters of the plays included in the cycle is put forward as a binding compositional element.

This article reviews the materials of a multi-author monograph dedicated to the 100th anniversary of the literary association “Serapion brothers”. This project has united researchers from Saratov, Moscow, St Petersburg, considered to be renowned experts in the history of Russian literature of the 1920–1930s. The research is based on the unique documents from the Serapion brothers’ legacy being introduced into the scientifi c circulation (K. Fedin, Vs. Ivanov, N. Tikhonov, V. Kaverin, I. Gruzdev).