The article deals with the study of aesthetic reflection in K. Paustovsky’s works about nature. The aim of the study is to identify the peculiarities of the writer’s aesthetics of nature on the basis of two methodological approaches: the philosophical theory of aesthetic perception of nature by man and sensory poetics. The main section of the article consists of two parts. The first part talks about K. Paustovsky’s double aesthetic reflection on the basis of perception and aesthetic interpretation of landscapes in the works of Russian writers, composers and artists.
