The article examines the genre phenomenon of supersaga in V. Khlebnikov’s oeuvre. According to the theoretical model of the genre proposed by N. L. Leiderman, the subject organization of an artistic text is identified as the most important component of the genre structure. A comparative analysis is conducted on the works Children of the Otter (1911–1913), The Lightning Sisters (1918–1921), and Zangezi (1920–1922). B. O. Korman’s system-subject method allows us to describe the supersaga as an intergeneric form gravitating toward drama. At the same time, V.
