судьба

The author of the article singles out the main problem of Bulgakov’s tragedy which is a distinctive feature of his plays as well as of epic compositions and of his personal world-view. The author claims that the main profound conflict in Bulgakov’s works turns to be the collision of fortune and fate generally presented in the world literature from Ancient Greeks to our days. The researcher emphasizes some special traits of Bulgakov’s stories of 1930s such as deceptiveness of fortune, prediction of the denouement in action.

In «The Idiot» by F. M. Dostoevsky we encounter a special genre of an ordeal novel: the hero enters the portrayed world with the mission of salvation. In this article the theme of fate appears of interest for the interpretation, which, being an intermediate concept, has connotations associated with death, chance, freedom, with the theme of the road.

The article consistently traces the actualization of the fate motive in four novels by Ch. T. Aitmatov; his semantic key points are analyzed in each work and the evolution of this text element is revealed.

The article deals with different aspects of morbidity problem range in M. A. Aldanov’s historic novels. The author analyzes both traditional literary functions of the illness motives (their important role in unfolding the characters’ portraits, in plot development) and those peculiar for Aldanov’s oeuvre, where the medical discourse becomes one of the languages to describe the catastrophic epoch of the end XIXth – beginning XXth centuries.

The article analyzes the principles of space and plot interaction in Lermontov’s Taman. The author examines the features of mythologizing space. The plot roles of the characters and the paradoxes of Pechorin’s behavior are studied. The correlation of the incident and destiny in the development of the plot is specified. A special place of the story in the semantic structure of Pechorin’s Diary is revealed.

The tragic event of September 1, 1911, in Kiev, the death of the Chairman of the Council of Ministers, Minister of Internal Aff airs Pyotr Arkadyevich Stolypin, is considered through the lens of the memoirs of his famous contemporaries: the former Minister of Finance, Chairman of the Commitee of Ministers .of the Russian Empire (1903–1906), Count Sergei Yulievich Witte, Minister of Finance, who became Prime Minister after the death of Stolypin; Vladimir Nikolayevich Kokovtsov, historian, leader of the Cadet Party; Pavel Nikolayevich Milyukov and Major General Svita, Mos