идиостиль

The article offers philological and religious as well as aesthic analyses of literary works; they enable the reconstruction of the dominant categories of poets’ perseption of the world; on their basis the embodiment and metamorphoses of the Cristian code in the poetic text can be elicted.

The evolution of the concept MERCY is researched in the Russian linguistic consciousness; the concept is analyzed in many aspects; the concept’s functioning in the writer’s idiostyle is examined on the material of A. S. Pushkin’s literary heritage.

Stylistic tendencies typical for F. Iskander’s idiostyle are analyzed: epic narration and ironic modality. External and internal characteristics of narrative as well as different degrees and types of irony are considered.

The article considers communicative models of G. Ivanov’s lyric poetry and their transition from St. Petersburg period of work to that of the exile. An assumption is put forward that the change of the poems’ communicative structure can serve as one of the indicators of the individual style evolution.

The article is focused on the conceptualization of Greek loan-words from the Orthodox discourse in literature. On the material of a novel and a story by I. Shmelyov we have analyzed the layer structure of the concept lampade. It is possibble to distinguish objectivenotional, imagery-symbolic, and evaluative levels of the concept. Their distinctive features are related to the cultural and religious traditions, and are also predetermined by the genre characteristics of the author’s works.

The approach proposed in the article to the idiost of G. Ivanov is based on the hypothesis of a two-level structure of the poetic conceptosphere, which includes the concepts of author's consciousness on the one hand and more complex conceptual structures-cognitive models of interaction of concepts-on the other. The article considers such forms of organization of the conceptual space of idiostyle, as metaphorical and metonymic cognitive models.

The article explores antithesis as the main structural and semantic principle of organizing the poetic context, focusing on the structural features and semantic content of antithesis in the poetic works of Anna Akhmatova. The article presents temporal, spatial, subjective, abstract antitheses and their implementation in various syntactic constructions of poetic text.

The article deals with the description of the specifi c features of attributive constructions (epithet complexes) in M. Tsvetaeva’s texts. The Collected Works of the poet, as well as the Dictionary of Poetic Language served as the material for this research. The purpose of the research was to establish the structural and semantic idiostyle features of constructions containing words of attributive semantics in the poet’s texts. The research establishes that in the M.