The article offers philological and religious as well as aesthic analyses of literary works; they enable the reconstruction of the dominant categories of poets’ perseption of the world; on their basis the embodiment and metamorphoses of the Cristian code in the poetic text can be elicted.
The article analyses Kuzebay Gerd’s creative work that had been developing at the turn of the centuries. The events of this period impacted the artistic consciousness of the Udmurt poet. Painfully perceived historic disasters are reflected in the tragic world-view of his works.
