The article analyzes the title poetics and the structure of the poetry book by K. D. Balmont Sonnets of Sun, Honey and Moon (1917) as a book of sonnets, a book of symbols, a ‘chamber’ book.
The article deals with the symbolist strategy of naming Vyacheslav Ivanov’s poetic texts. The analysis of his poems with the titles including liturgical formulas confirms the deliberateness of the liturgical discourse created by the author to solve religious and aesthetic problems.
