The article deals with the features of the narrative modality category in Pushkin’s prose fragments. It is concluded that the internal focalization and a homodiegetic narrator dominate in the fragments, the latter explicitly reveals himself through self-presentation. External focalization is actualized in the narrator with the help of the third-person narration. The narrator’s specific features comprise his omniscience of the hero’s steps and actions, and his ignorance of the hero’s inner world, emotions and feelings.
