традиция

The article considers and compares two poems by A. S. Kushner with a common name – “Visit” (1977 and 1985). They are united by the situation of the lyrical hero returning to the places where he spent his childhood and youth. However, the author’s position is deprived of the nostalgic regret about the past years that is expected in such cases – in particular, due to the mismatch of memories with the real world of the past.

In the given article the genre comparative typological analysis of the two satirical masterpieces – the French and Russian classical literature, is carried out. Similarities and distinctions on the basis of the analysis of dynamics of the plot and character logical lines according to Classicism (Moliere) and Realism poetics (Ostrovsky) come to light.

The poetic song of Bulat Okudzhava «Vanka Morozov» is regarded as an early manifestation of the poet’s self-determination in the context of the romance tradition. Juxtapositions with the genre thought to be the source of the poem (urban romance), with the parody and stylization of romance in the literature of the XXth century are given. The genesis of the key images and motives is traced. A new interpretation of the romance poetics transformation in Okudzhava’s poetry is offered.

In this article the approaches to the research of the poetic and song heritage of S. Surganova are outlined; the author’s ideas of time and space are analyzed.

Okudzhava’s poem is regarded in the context of the classical poetics of rose, in the background of the traditional situation «farewell to the lira». The parallels with Pushkin’s, Batyushkov’s, Boratynsky’s and Khodasevich’s poetry are drawn.

In the article some mechanisms of formation of cultural memory in media (secondary) poetry, published on the Internet, are considered. The material of the study was the peculiarities of perception of Pushkin's creativity and biography in the works of network authors and discussions held on the largest Russian-language poetic resource.

The article is devoted to the study of the play of the modern English playwright M. Frein "Wild Honey", which in turn is a translation-interpretation of Chekhov's "Platonov". The article analyzes approaches, ways Frein uses in working with Chekhov's text, and also tries to understand how organically the classical Russian-language text exists in the space of the theatrical culture of England.

The article shows the results of a multicultural literary texts’ analysis aimed at revealing their linguistic and stylistic peculiarities. The emphasis is placed on the methods of applying such a linguistic notion as ‘image response’ as one of the units/means of a multicultural literary text analysis.