неореализм

A. Slapovsky’s prose cannot fit the clearly defined frame the critics and literary scholars try to set. The article considers their attempts to characterize the writer’s oeuvre, special emphasis is placed on the arguments about the author belonging to the postmodern or neorealist movements.

The article analyzes the motive of fear in Aleksey Slapovsky’s novel Encoded. This motive permeates the whole novel and essentially becomes the key one for the plot development. The struggle with the subconscious fears of the character and of the author is considered. This struggle results in a multiple re-writing of the selfsame story.

The Neorealist writer Yevgeny Zamyatin held the literary heritage of Anton Chekhov in high esteem, considering him an innovator of Realism in the Russian literature. In this paper we will analyze Zamyatin’s critical articles and notes of his lectures, interpret Chekhov’s poetics through the perception of a writer of the next generation, and thus, elucidate the relations between Chekhov as a prose writer and Chekhov as a dramatist.