Izvestiya of Saratov University.
ISSN 1817-7115 (Print)
ISSN 2541-898X (Online)


vaudeville

Vaudeville Vice-King by I. Ilf and Ye. Petrov: Genre Poetics

The article analyzes genre peculiarity of the Vice-King vaudeville – one of the first experiments in drama by I. Ilf and Ye. Petrov. The interaction of artistic means characteristic of the vaudeville genre and satirical comedy is considered; the focuses of dramaturgic action and the vector direction of the traditional vaudeville form update are identified.

Poetics of Play in the Theatre Piece «Lickspittle» by I. Ilf, E. Petrov, M. Volpin

The article researches the play poetics of the theatre piece «Lickspittle» by I. Ilf, E. Petrov, M. Volpin on the level of the plot, characters, literary reminiscences, language humor. Functions of the co-authors’ play strategy are identified, such as achieving the synthesis of satire and vaudeville principles and the techniques of text structure. The link between «Lickspittle» and the novel by I. Ilf and E. Petrov «The Golden Calf» is revealed.

the Play The Rich Bride by I. Ilf, E. Petrov, V. Kataev: the Functions of the Play Poetics

The article studies the play poetics in I. Ilf, E. Petrov, V. Kataev’s play The Rich Bride. The role of the play is singled out on the level of character and action development, and the language strategies of the co-authors. The satirical (social and political) underlying message of the new time vaudeville is revealed, as well as the ambiguity in portraying the kolkhoz life of the 1930s in the play.

Functions of Vaudeville Poetics in E. Petrov’s Play The World’s Island

The article researches the interaction of the satirical and vaudeville origins in E. Petrov’s play The World’s Island. The functions of the vaudeville poetics are identified on the level of the action development and character images.

Fairy-tale and Fantastic Vaudeville by E. Schwarts Adventures of Hohenstaufen: Genre Poetics

The article analyzes an early play by Evgeny Schwarts Adventures of Hohenstaufen. The text poetics features are distinguished on the levels of the action development, character images, language humor. The genre dominating idea is identified. The author reveals how the vaudeville, the fairy-tale, and fantastic, and the satiric elements in the text interact. In the focus of the author’s attention is the motive of a ‘usual’ miracle/magic reflecting the aesthetic principle of the playwright.