detective

What a Carve Up! by Jonathan Coe is analyzed as an example of application of traditional detective conventions in postmodern narrative; their ideological and compositional functions in the novel are revealed.

The article considers posthumous novels by Jules Verne only recently published in the original author’s versions. Despite the abundance of genre models, themes and intonations, they constitute a certain unity. Motives and characters, well known to the readers of Verne’s‘classical’ works, mix well with original narrative solutions.

The article presents a review of K. A. Chekalov’s monograph on mass French literature of the end of the 19th – the beginning of the 20th centuries. The author studies the genre, thematic and stylistic changes in popular works on the example of the oeuvre of Gaston Leroux and other famous novelists of the ‘Belle Epoque’ (Leblanc, Souvestre, Allain etc.).