The article deals with the analysis of the images of Buddhist entities and their functions in L. A. Yuzefovich’s novel Campaign to Bar-Khoto as part of a large research concerned with studying the “Buddhist text” of the modern Russian literature. The plot of Campaign to Bar-Khoto is a development of “Solodovnikov’s Notes” from the novel Prince of the Wind: in the new novel the writer focuses on and reinterprets those images and motifs (Buddist ones among them), which he created earlier, and the hero has a biography – including the religious one.
