сказка

The article analyzes an early play by Evgeny Schwarts Adventures of Hohenstaufen. The text poetics features are distinguished on the levels of the action development, character images, language humor. The genre dominating idea is identified. The author reveals how the vaudeville, the fairy-tale, and fantastic, and the satiric elements in the text interact. In the focus of the author’s attention is the motive of a ‘usual’ miracle/magic reflecting the aesthetic principle of the playwright.

The article deals with the German dialect, which has recently been drawing the increasing amount of attention in German-speaking countries. Nowadays, the verbal genre of telling fairy tales is popular there, and fairy tales are related and represented by means of dialect more frequently. The authors of the article analyze the use of different dialecticisms and their textual functions on the example of the interpretation of two of the brothers Grimms’ fairy tales, in which separate dialect words from the Plattdeutch and the Hessen dialect are used.

The article discloses the images of a fairytale character Cinderella in the literary heritage of Western Europe and the East. The comparative analysis of the character’s external and internal qualities is carried out, the relation between fairy tales and myth-ritual basis is ascertained, totemic motives of the characters are examined.