The article is dedicated to the issues of the play poetics as philosophical, ontological, and aesthetic paradigm of the main movements of the modern literature. The main criteria of the play are analyzed in the theoretical research and literary works of the modernist and postmodernist writers.
The article considers the peculiarity of L. Dobychin’s narrative strategy on the example of the novel The Town of N; the author points out the significance of Yu. Tynyanov’s theoretic and methodological ideas for the modern research of post-modernist aesthetics.
The article studies the topic of music and its functioning in the poem by B. Poplavsky Dark Madonna. Its motivational and symbolic structure, as well as its composition and intertextual ties with the modernist poetry are considered. The article focuses on the description of the ‘spirit of music’ concept in the poet’s philosophy and its interpretation in the text of the miniature.
On the example of the literary activity of the Futurists, Imagists, Zaumniks the peculiarities of modernist and avant-garde solution to the problem of the national are investigated
