This paper investigates the position of the poet Vsevolod Nekrasov in the nonconformist literature of the second half of the 20th century. Many researchers legitimately and consistently class Nekrasov with the conceptualists: like other conceptualists, Nekrasov actively used the patterns of the Soviet language in his work. However, the analysis of Nekrasov’s poetry from the standpoint of literary pragmatics allows to identify the specific features of his poetics.
