The peculiarity of Saratov literary process of the 1920s is determined by the facts that the local budget was insufficient to implement cultural initiatives, by slow paperwork, and by the creeping pace of accomplishing cultural initiatives. At the time in question Saratov played the role of a buffer territory, where all public figures from the capital suspected of non-conformism were sent. Thus, people noticed to be politically pro-opposition and favoring formalism, were delegated to the provincial town.
