The article shows that the literary methods in A. Block’s play «Balaganchik» ( «The Puppet Show») forestall the postmodernist concepts (decentralization of the subject, discoursing consciousness). The analysis of the play «Balaganchik» ( «The Puppet Show») from the chosen point of view allows to get a deeper insight into the sources of the Russian postmodernism and the artistic functions of a poetic word in the literature of the Silver age.
