The ‘Principle of absolute doubt’ in Mark Aldanov’s oeuvre

The reviewed monograph of T. I. Dronova presents a multi-layered analysis of M. A. Aldanov’s oeuvre: from the principles of philosophical and historical cognition to narrative strategies. The approach to the legacy of the philosopher and writer suggested by the author allows to reveal the type of his artistic thought and the nature of his dialogue with the predecessors in a very convincing and in many ways novel way.