conceptualism

This paper investigates the position of the poet Vsevolod Nekrasov in the nonconformist literature of the second half of the 20th century. Many researchers legitimately and consistently class Nekrasov with the conceptualists: like other conceptualists, Nekrasov actively used the patterns of the Soviet language in his work. However, the analysis of Nekrasov’s poetry from the standpoint of literary pragmatics allows to identify the specific features of his poetics.

The article analyzes the early works of V. Pelevin from the collection Relics. early and unpublished. The author compares the early and late works of the writer and outlines the vector of his creative evolution, finds common ground between different texts of the writer. The author of the article refers to the practices of ‘Moscow conceptualism’ and outlines the connection between this tactics and Pelevin.

The article is devoted to the analysis of the structural features of the poetic text of one of the most specific literary trends - melodrama. The aesthetics of the melodrama industry changes the ideas about the form and content of the poetic work.